Here is the latest recording of Antara performing Schumann Concerto in A Minor!
Here we are starting a new Blog which is dedicated to our Listening Log. From now on, you are welcome to post your weekly Listening Logs here in a form of comment to this blog post. You can choose to continue to bring your paper versions to the lessons, or, you may choose to do a paper one week, then do a post on this website for another week. Either way, each completed Listening Log will earn you a Sticker!
You will need to make your posts fit the following format:
First piece:
Second piece:
Selvina Kong, piano
Fedor Ouspensky, conductor
South Lakes High School Orchestra
Please, note at 3:20 a “terrible” glitch! the pianist had a complete black-out memory slip, so devastating that she seemingly lost her place altogether. This is a very common situation for inexperienced (and very experienced!) performers. But keep watching, and pay attention to how much more relaxed and confident she gets after she finally makes a recovery from the event! and how poised and proud she is afterwards receiving the greeting from the audience. And how supportive and enthusiastic are the applause!Â
Sure, when you go to a concert presented by professional artists, rarely something of this magnitude happens, but when it does… the audience actually LOVES it even better! Why? Because it makes the artists people, more human, not so much like remote idols covered in the glitter of glory. Â Especially if the artist is actually a truly artistic and expressive musician:)
Below watch the recording from the same concert, this time edited. How do you think we get all those absolutely note-perfect recordings on labels? Hmmmmm….
Let’s start with some tips of how you can determine if your child is ready NOW, or if she needs some additional time and preparation. And if giving her additional time to mature turns out to be a good idea, then what you can do to make that time fruitful in preparation for her future music study.
There are some signs of readiness which you can see yourself without going for a consultation with professional musician:
Continue reading My child is ready to start lessons…or is she? (Topic 2, Part 1. What is involved?)
You are looking at a starting just the way most people do: take piano lessons once per week for 30 minutes. Â You think you can make a commitment to the driving, keeping up with assignments, and help him at home. Initial requirements are not so overwhelming, you need to establish daily routine of practicing for about 30-45 minutes. The total time can be split into two sessions of 15-25 minutes each, not too bad. It’s very important to keep positive attitude, at the same time be very firm that no day goes without practicing. You teacher will guide you through creative approaches
Continue reading My child is ready to start lessons…or is she? (Topic 1, Part 4. What is involved?)
(Story by her dedicated and nervous mom, Sharon Yip) …..
As you can see from the video, she made bunch of mistakes, sounded messy in many places. She was embarrassed and frustrated (take a look at her facial expression when making big mistakes, and at the end …) She said:
I reminded her about what her teacher always told her –
She finally decided to go. The result? She followed her teacher’s advice, tried her best, and won the first place 🙂
The obvious costs are the teacher’s fees, books and other materials, travel costs, and the cost of obtaining and maintaining an instrument. Teachers’ fees fluctuate and can be checked on line or by calling teachers and music schools around for the most up-to-date information. Books and other printed materials can be estimated at around $100-$250 per year depending on the age of student.
Keep in mind that initial purchase cost of a piano is higher than a violin, or cello, or flute. A decent upright piano will cost you between about $3,000 for used one in good condition to $12,000 for a higher end brand new one.
Continue reading My child is ready to start lessons…or is she? (Topic 1, Part 6. What is involved?)
Of course, piano is the bulkiest choice and requires most adjustment. But in considering space for your child music study there are other things as well to keep in mind. Â Where she practices needs to be a place which simultaniously gives her privacy and audience. Open space in a two-story family room may be intimidating because the entire household will hear her every mistake and her every stuggle.
Continue reading My child is ready to start lessons…or is she? (Topic 1, Part 5. What is involved?)
Continue reading My child is ready to start lessons…or is she? (Topic 1, Part 3. What is involved?)