Two students of Hunter Mill Music Studio on stage!
Selvina Kong, piano
Fedor Ouspensky, conductor
South Lakes High School Orchestra
Please, note at 3:20 a “terrible” glitch! the pianist had a complete black-out memory slip, so devastating that she seemingly lost her place altogether. This is a very common situation for inexperienced (and very experienced!) performers. But keep watching, and pay attention to how much more relaxed and confident she gets after she finally makes a recovery from the event! and how poised and proud she is afterwards receiving the greeting from the audience. And how supportive and enthusiastic are the applause!
Sure, when you go to a concert presented by professional artists, rarely something of this magnitude happens, but when it does… the audience actually LOVES it even better! Why? Because it makes the artists people, more human, not so much like remote idols covered in the glitter of glory. Especially if the artist is actually a truly artistic and expressive musician:)
Below watch the recording from the same concert, this time edited. How do you think we get all those absolutely note-perfect recordings on labels? Hmmmmm….
Please, join us for the Levine Presents season preview recital at Levine School of Music!
This recording has a funniest glitch at around 6:00:) check out for these two confident artists hold up, even first time ever performing together!
There are many people involved in your child’s music study! It isn’t only about her, there are you, parents, her siblings, and of course her future teacher.
Let’s start with some tips of how you can determine if your child is ready NOW, or if she needs some additional time and preparation. And if giving her additional time to mature turns out to be a good idea, then what you can do to make that time fruitful in preparation for her future music study.
There are some signs of readiness which you can see yourself without going for a consultation with professional musician:
- Is she interested? If she said so, very good, but it isn’t enough. Does she stop playing a game or doing a puzzle when you turn on music? Does she react to the mood of what she hears? Does she ask questions about it? Do her the questions show emotional
Igor Zubkovsky, cello, Susanna Kolker, piano
Fedor Ouspenskay performing Vivaldi Concerto in A Minor at Kaufman Center Merkin Hall in New York.
This was a CONDUCTOR-LESS performance. Future aspiring conductor was born:)
Originally written for clarinet and piano, arranged for cello and piano
Nikolai Tcherepnin – Variation from “Le Pavillon d’Armide”
(arr. for trio by Igor Zubkovsky)
Elisabeth Adkins, violin
Igor Zubkovsky, cello
Anna Ouspenskaya, piano